Cord Labuhn

Cartoon life - At six years old, CORD LABUHN had his first real career aspiration : becoming an ‘inventor’. Or space traveller. At least working in some kind of laboratory. Hence he became a producer of beats, tunes, records, imagery & merch - and toured the whole planet to play music for the most spaced out...

Earlier, when the ghost of Jimi Hendrix jumped out of his parents record collection and passionately promoted the guitar as the weapon of choice for a leftist punk, folk, if not eurodance infected teenager of the 90s, the piano and his sister’s drumset would have to step back for a while.

A few years later when TV was still the thing and gaming consoles like PS1 were battling N64, Cord the Beatmaker was rather staring at tiny AKAI S2000, MPC and CRT displays, head-nodding, turning the jogwheels, dreaming of a second turntable to complete his DJ setup - the true school, golden age hiphop way. Next mission - still as a school kid - was a self-released vinyl record with international distribution through a self-founded label – learning everything from scratch, only a few years before DJing went 99,9% digital, crazy fast and globalised anyway.

Arriving in Berlin and founding the mashup label „BROKEN BOOTLEGS“ (with Exploited’s Shir Khan and Andy Szankay) was good sparring for more delinquent ventures in professional sampling culture. Musical diversion had found an anarchic playground, genre-bending seemed to be a good concept for a radical open mind.

„Sturm und Drang“ (2007) they took the world by storm with a string of popular tunes and remixes that went into the crates of tens of thousands of DJs worldwide and made it to top spots in the infamous Beatport charts (“Worst Love”, “The Edge” 2012, “La Fique” 2013, “House Music” 2015, “Rise” 2016). With releases on labels like Defected, Toolroom, Get Physical, Diynamic, Stil vor Talent, Deep Dish’s Yoshitoshi, Nervous or lately Mother Recordings,

To date, his longest running project is ROBOSONIC, which was formed as a DJ-producer duo together with Sacha Robotti over 10 years ago. A while after their unconventional, free-spirited debut album ROBOSONIC became an authentic figurehead for something dubbed “Golden Era House” (Juice Magazine). Not only because Cord was convincing real rap icons like Masta Ace, Jeru the Damaja and KRS-One to collaborate on house tracks, but also because ROBOSONIC remixed legends like Todd Terry, Arthur Baker, Kerri Chandler and Eddie Amador.

Today, after his partner emigrated to the US, Cord the DJ is playing most of the ROBOSONIC shows alone. The house & techno driven sets and releases under this moniker are internationally recognised and performances in 40+ countries (and counting) reflect the universal appeal of a trademark sound they unleashed into the world. North & South America, most European countries, South East Asia, China and Russia, Egypt down to South Africa, Dubai to Australia, Lebanon and Israel. Partly toured as a duo, partly on his own Cord has seen and pleased a few hundred stages, clubs and crowds over the last years. And with a string of new remixes and releases it seems that he won’t stop shedding club sweat and tears.

Somewhere along that way Cord Labuhn has succeeded not only in making marks in the history of Berlin’s musical identity but also in commercial and academic fields of his own design: thesis on the digital future of DJing and its cultural conflicts, was published in 2009 with support from the creative endeavors with “real life matters” in physical form, but also for his creation of hybrids – bringing His Humboldt University Goethe Institute and Fink Verlag. From research and Academia to entrepreneurial inspiration, Cord’s practical but stylish invention – the “Punchi” towelscarf – has become not only a trademark for connecting together the best of both worlds. Add commissioned works in the field of fashion (Kaviar Gauche 2010, Raf Simons 2011, Wunderkind 2014, Isabell de Hillerin 2013-15) and you may empathise as to why Cord the human often seems too ‘lazy’ for much disposable social media content in the century of the selfie.

For 2017 Cord Labuhn has redefined his structures and launches a series called OUTTAKES. The label and collaborative hub serves primarily as a studio-to-listeners feed – to pilot an own musical direction, A conscious counterpart and soulful antidote to the dance music business with its particular formulas. The project has already found favour with, and features contributions from the likes of EPMD, The Beatnuts & Greg Nice, B-Real of Cypress Hill, and members of Underground Resistance, in addition to his close friends and mad professors from the international house-techno circuit.

The zero point (#000) of the OUTTAKES series is the ‘SLEEP OUT’ mixtape - a carefully composed 3 hour set indulging in the tones and frequencies of sleep, representing this important human state in musical form – horizontal business. Two of his own productions ‘Gone Love’ & ‘Unter Deck’, which bookend this mixtape, are being released through the label as a wake-up call, followed by hypnotic beat science, hiphop infused electronica, songs, fragments, field recordings and probably some dance music in the future, that would not fit under any other label than: OUTTAKES.

Cord’s artful hybrids and organic blends, zone effortlessly between subversive underground culture, the high-heel house and hippie hoppie heaven. Must be the constant creative struggle, the universal love and a cartoonish crack up behind all his work, which resonates. “That's all Folks!”